My Last Farewell to Armando Hart
By Manuel E. Yepe
Translated and edited by Walter Lippmann.
Tonight I will go to the Marti Studies Center of Cuba to give my last farewell to revolutionary combatant Armando Hart Dávalos, who died in Havana of a heart attack.
To say Armando Hart in Cuba is to invoke some of the most transcendental works of Fidel Castro’s revolution. Especially in the fields of education, culture, journalism and politics. Before meeting Armando Hart, I had had very casual relationships in the insurrectional camp with his brother Enrique Hart, whom I admired a lot but worked with very little, because although we both were active in the same revolutionary organization, the 26th of July Movement, my level in its hierarchy was far from from that which Enriquito and Armando had reached.
During my six years as Cuban Ambassador in Romania from 1962 to 1968, I used to do what I jokingly called “courtesy visits” to several colleagues with whom I had developed friendly relations at the time of the insurrectional struggle against the Batista dictatorship. which I consolidated during the period from 1959 to 1961 when I worked as “Introducer of Ambassadors”, a position that is also called Director of Protocol, in the Cuban Ministry of Foreign Affairs of Cuba, then headed by the Chancellor of Dignity, Raúl Roa.
One of those habitual friends contacted during my always short vacation in Cuba was the young Armando Hart, at that time Minister of Education, with whom I exchanged my new diplomatic experiences, with his as minister and political leader.
Each annual meeting with Hart was for me a master class that left me better prepared to contribute to the revolutionary cause in my country while I felt that the experiences in international politics that Armando narrated were also well received.
When I finished my mission as an ambassador in Bucharest and introduced myself to Roa, the foreign minister informed me that, by indication, President Osvaldo Dorticos would go to work in the Central Committee of the Communist Party of Cuba (PCC) with Armando Hart, who was then the Organization Secratary of the PCC. From then on, I served as head of the (unipersonal) section of international information of the Cuban party organization in a function that basically meant serving as Party spokesperson in permanent exchange with those responsible for international information of accredited national or foreign press organs.in Cuba.
For me, this was great news. It allowed me to continue for a few more years developing my intellect, which is the main benefit received by those who have had the honor to work as collaborators with Armando Hart.
A short time later, at Hart´s suggestion, I was selected Director General of the Prensa Latina news agency. There I maintained close working and friendship relations with this extraordinary Cuban revolutionary intellectual whose footprint will remain indelible in the history of the country.
In recent years I have shared with Dr. Armando Hart the role of collaborator with newspapers PORESTO! and a strong friendship with its General Director Mario Menéndez Rodríguez.
November 26, 2017.
By Manuel E. Yepe
MI ÚLTIMO ADIÓS A ARMANDO HART Por Manuel E. Yepe
Esta noche acudiré al Centro de Estudios Martianos de Cuba a dar mi último adiós al combatiente revolucionario Armando Hart Dávalos, fallecido en La Habana a causa de una crisis cardiaca.
Decir Armando Hart en Cuba es invocar algunas de las obras más trascendentales de la revolución de Fidel Castro. En especial en los terrenos de la educación, la cultura, el periodismo y la política. Antes de conocer a Armando Hart, había tenido relaciones muy eventuales en el campo insurreccional con su hermano Enrique Hart, a quien admiré mucho pero traté poco, porque aunque militábamos en la misma organización revolucionaria, el Movimiento 26 de Julio, mi nivel jerárquico distaba mucho del que habían alcanzado Enriquito y Armando.
Durante los seis años que me desempeñe como Embajador de Cuba en Rumanía 1962 al 1968, acostumbraba a realizar lo que yo llamaba jocosamente “visitas de cortesía” a varios compañeros con quienes había desarrollado relaciones de amistad en la época de la lucha insurreccional contra la dictadura batistiana, que consolidé durante el período de 1959 al 1961 cuando trabajé como “Introductor de Embajadores”, cargo que también se identifica como Director de Protocolo, en el Ministerio cubano de Relaciones Exteriores de Cuba, entonces encabezado por el canciller de la dignidad, Raúl Roa.
Uno de esos habituales amigos contactados durante mis siempre breves vacaciones en Cuba era el joven Armando Hart, a la sazón Ministro de Educación, con quien intercambiaba mis nuevas experiencias diplomáticas, con las suyas como ministro y dirigente político.
Cada encuentro anual con Hart era para mí una clase magistral que me dejaba mejor preparado para aportar a la causa revolucionaria en mi país mientras sentía que las experiencias en política internacional que narraba a Armando también eran bien recibidas.
Cuando terminé mi misión como embajador en Bucarest y me presenté ante Roa, el canciller me informó que por indicación el Presidente Osvaldo Dorticós yo pasaría a trabajar en el Comité Central el Partido Comunista de Cuba con Armando Hart, quien era entonces el Secretario de Organización de esa colectividad. Serví a partir de entonces como jefe de la sección (unipersonal) de información internacional de la organización partidista cubana en una función que básicamente constituía servir de vocero del Partido en intercambio permanente con los responsables de información internacional de los órganos de prensa nacionales o extranjeros acreditados en Cuba.
Ello constituyó, para mí, una gran noticia que me permitió continuar algunos años más desarrollando mi intelecto, que es el beneficio principal que reciben quienes han tenido el honor e trabajar como colaboradores de Armando Hart.
Poco tiempo después, a propuesta de Hart, fui seleccionado Director General de la agencia de noticias Prensa Latina en cuyo desempeño mantuve estrechas relaciones de trabajo y amistad con este extraordinario intelectual revolucionario cubano cuya huella permanecerá indeleble en la historia de la patria.
En los años más recientes he compartido con el doctor Armando Hart la función de colaborador con los periódicos PORESTO! y una fuerte amistad con su Director General Mario Menéndez Rodríguez.
Noviembre 26 de 2017.
Last October, when The New Yorker magazine and The New York Times brought to light allegations by several women who claimed to have been sexually harassed by the producer, the Hollywood panorama shuddered.
By Luis Autié Cantón
Translated and edited by Walter Lippmann for CubaNews.
Harvey Weinstein has a crazy look about him and an ogre’s face. If we framed his face in a “Wanted” poster, typical of 1920s America, nobody would question his links to the Mob. Until only a month ago, from his perch at the top of the Weinstein Company, his opinion could elevate or bury the career of anyone who throws himself into the choppy sea that the world of cinema is. Like the ancient Roman emperors. Thumbs up or thumbs down. Pollice verse or pollice convert. Success. Failure. Imperator Harvey. But Weinstein is, first of all, a predator, a womanizer.
Last October, when the New Yorker magazine and the New York Times brought to light the complaints of several women who claimed to have been sexually harassed by the producer, the Hollywood scene shuddered. The strangest thing of all is to see how the investigation of the case provides evidence that, apparently, Weinstein’s “odd habits” were not recent or new whims. Reports indicate that, since 1980, he had his way with actresses, almost always, on the rise in their careers. Or he tried, at least.
Hollywood is a complex ecosystem of relationships, handshakes, winks, smiles, favors and pats on the back. And the insolence of Harvey Weinstein shows that, in addition to the rottenness and moral pustules that are now visible, collusion is rampant in that great cinematographic industry.
Nobody paid any attention when, in 2013, in front of the audience gathered at the Dolby Theater in Los Angeles, actor Seth MacFarlane joked while announcing the candidates for the Best Supporting Actress award. MacFarlane, after pronouncing the names of the lucky ones, said something that, although it raised a laugh in the audience at the time, today it produces a bitter sensation of guilt and regret: “Congratulations to you five, for you won’t have to pretend that you feel attracted to Weinstein any more». Spooky.
Italian actress and director Asia Argento made public, on her personal Twitter account, a list that includes herself along with 81 other women who were victims of harassment and sexual abuse by perhaps the most influential producer in what is considered the Mecca of cinema.
Among the most recognized names are Gwyneth Paltrow, Ashley Judd, Cara Delevigne, Kate Beckingsdale, Angelina Jolie, Heather Graham, Lupita Nyongo and Lena Headey. The latter enjoys a notable reputation today, thanks to her role as Cersei Lannister in the famous television series Game of Thrones.
This sinister vox populi reveals a deplorable connivance as it is induced by fear. The fact is that, in a high percentage of the women involved, fear of failing professionally if they denounced the producer prevailed over the determination to put an end to such annoyance at the time.
Weinstein was born in Queens, New York, in the winter of 1952, within a Jewish family. Since 1970, he leaned toward film sets more as a business than for artistic reasons, when he produced a series of rock concerts in Buffalo. With the money raised, he founded, together with his brother Bob, a small film distribution company that they called Miramax. The name comes from the union of Miriam and Max, their parents. And so, with their new company, the brothers continued along the line of making films about concerts. Eventually, in 1980, they adapted a British film to fit the tastes of the American public. The result? The Secret Policeman’s Other Ball, the company’s first great success.
During the rest of that decade, Harvey and Bob kept reaping fame in the cinema world until 1989, when director Steven Soderberg’s award-winning film Sex, lies and Videotape turned Miramax, overnight, into the main independent producer in the United States.
In 1996, Miramax won its first Oscar with The English Patient, a prize that consolidated his fame, later increased with titles like Shakespeare in Love or Good Will Hunting.
Almost ten years later, in 2005, the brothers left Miramax to found the Weinstein Company, along with Quentin Tarantino, Robert Rodríguez and Colin Vaines. From The Weinstein Company, Harvey’s own company, he was fired by his own brother Bob, after the scandals. It’s like that. Thumbs up. Thumbs down.
It was then that Harvey tried to cling to his boat to ride out the swell, but the water was already up to his neck. Through his spokeswoman, he has tried, albeit unsuccessfully, to ease the tension, but no one is likely to believe his words. “(…) The way I’ve behaved with colleagues in the past has caused a lot of pain, and I sincerely apologize for it”, he said. But what would have happened if his predatory adventures had never been disclosed?
Around those days, the Academy of Motion Picture Arts and Sciences of Hollywood held an extraordinary meeting to discuss the producer’s future. Logic prevailed: Harvey Weinstein is no longer a member of the famous cinema institution, at least in the United States.
But there is still some doubt: how far can the moral cover-ups go within Hollywood? Harvey’s is by no means an isolated, ephemeral case. Let us bear in mind that two stars of the cinema firmament like Roman Polanski and Bill Cosby were also in the eye of the storm for similar behavior. Even more recently, House of Cards star Kevin Spacey fell from grace following a pedophilia scandal.
In view of these facts, and knowing the conduct inside that industry, it is very probable that Weinstein’s sexual setback will become a ghastly box-office hit. It has all the sleazy ingredients of Hollywood’s formula for success. And the theaters will be full. Do not doubt it.
In the print edition the day this article appeard on page 6, it was referenced on the front page with a photo of Gwyneth Paltrow.
NOTE FROM FLUENT SPANISH-SPEAKING
CUBAN TRANSLATOR i CONSULTED:
|Now, regarding the expression: I had never heard of it, so I went to Wikipedia and found this:
Pollice verso or verso pollice is a Latin phrase, meaning “with a turned thumb”, that is used in the context of gladiatorial combat. It refers to the hand gesture or thumbs signal used by Ancient Roman crowds to pass judgment on a defeated gladiator.
But what I consider an extremely interesting thing about it is, and I quote:
Homeland or Death,
Also this week I made a run out to my favorite CD and DVD bootlegger, Roly, whose kiosk is just north of 23rd and 12th. The laws of the market helped this customer. Last year he was charging 1.50 CUC per disc. Now the price is down to 1.00 CUC each. I´m not sure when I´ll get around to watching these, probably not while here, but for a mere 9.00 CUC I´m now the owner of these movies:
THE FOUNDER with Micheal Keaton
LOOKING FOR FIDEL by Oliver Stone
COMANDANTE by Oliver Stone
INCONCEIVABLE ith Gina Gerson, Faye Dunaway and Nicholas Cage
ROUGHT NIGHT with Scarlett Johansson
LION staring Dev Padel, Rooney Mara and Nicole Kidman
WONDER WOMAN with Gal Gadot
VESTIDO DE NOVIA by Marilyn Solaya
SOLO EN BERLIN with Emma Thompson, Brendon Gleeson and Daniel Bruhl
Translated and edited by Walter Lippmann for CubaNews.
On the 100th anniversary of his death, it has to be agreed that it was the spectacle, “show business”, that turned Buffalo Bill (1846-1917) into a legendary being and, at the same time, one of the par excellence promoters of firearms in the United States.
Buffalo, which was actually called William Frederick Cody, served as an army scout in the conquest of the West and also as a bison hunter to supply meat to the workers of a railway company. Having participated in the 1876 Sioux War allowed him to wear showman’s clothing for 20 years in a show that toured his country and Europe.
The two decades during which “Buffalo Bill conquered the West” came be the number one of the international shows that triumphed at the time, including Ringling [Brothers] Circus. It could be seen there, always in an excellent version in heroics, the old explorer fighting the Indians, among whom was Chief Toro himself seated, converted, or reduced by then, to one of the attractions of the troupe.
Numbers of cowboys, persecutions, beautiful galloping horses, all inspired by the border law, established thanks to a policy of territorial expansion carried out with the support of modern weapons. Standing in the center of his circus, holding a rifle, Buffalo Bill made an apology presenting them as heroes in the conquest of the West.
“Only one weapon in the hand will stop the other,” he used to condemn as a forerunner of an ideology of violence that would later become a cultural reasoning enthroned in much of American society. A firearm is a right and a protection “has been tried to make citizens believe, along with the support of an entertainment industry that extols each other’s death for the sake of life. This, unfortunately, translates into a staggering figure: 117,000 people are shot in the United States each year, statistics that involve both aggressors and defenders.
Buffalo Bill’s time coincided with the creation of the National Rifle Association (1871) that had in the showman one of its champions. It is an entity that, to this day, and from its economic power, has not ceased to foster close relations with American political power.
Now, on the 100th anniversary of the death of showman Buffalo Bill, another showman, President Trump, defending “bang-bang” culture”, makes us remember the extinct persecutor of Indians. He declares, to the bewilderment half the world -and referring to the shooting in Texas, in which a young white man killed 26 people in a church and wounded 20- “fortunately, someone else had a gun and fired in the opposite direction”.
November 15, 2017, 6:35 PM
Some Very Preliminary First Re-Impressions.
by Walter Lippmann
Though I really want to share with you some of my many first impressions on arriving back in Cuba after nearly a year away, this Internet office (Sala de Navegacion as they’re called), will close in a half hour, so a fuller report simply isn’t practical today. Hope to get something fuller out tomorrow. Still…
There were only 55 passengers on the 160 seat Alaska Airlines plan which flew direct from Los Angeles to Havana yesterday. The crew loved it. Probably the company isn’t thrilled because they must be losing money. On the other hand, they made a commitment to provide this service, and probably signed a contract, so I say, “good for them” for keeping up the service.
Today I’ve visited with several friends, begun to deliver medicines and various other things which I brought for them. There are a few more to be delivered, and that will get done.
Spent a lot of time today walking the streets, sucking up first impressions (mostly quite positive), which I’ll try to detail tomorrow.
Am working in a very nice new Internet office. TWENTY machines, flat-panel screens. Quiet place, good for work. No blackouts. Friendly staff. People coming in and out during gmy time here. I’ve been working for about 2.5 hours and will stay a bit longer.
The city is about as clean and as dirty as it always is. There are more new small restaurants. Some which were here last year have gone out of business already. Others (A wonderful restaurant called Doña Laura, on H between 23rd and 21st in Vedado) are expanding their services.
You can get a FULL MEAL at Doña Laura for 30-40 pesos (1.25-1.50 CUC!), served on porcelain plates with metal knives and forks, a wonderful bargain and good food (imagine, a glass of mango juice for 5 pesos, a glass of guava juice for 3 pesos (twelve US pennies!).
Now, if you want to feed a minimum of FIFTEEN people, they will deliver a complete meal to your home, including a pig leg, for $80.00 CUC. I’m not sure where I could host such a party, but you can see things are moving right along here. I’ll write a longer report, maybe post a picture at some point.
There’s so much to say, but rushed work is guaranteed to be sloppy, so that is all for today. Been delivering presents to friends and dealing with a few bureaucratic tasks. Hopefully, more will be possible tomorrow. There’s a LOT to report.
By: Juan Pablo Carreras
Translated and edited by Walter Lippmann for CubaNews.
With the presence of researchers, specialists and defenders of body-art, the second edition of the Tatuarte body art project was developed. It was held at the House of the Young Creator of the Hermanos Saíz Association (AHS), in the city of Holguín.
Gilberto González Carcacés (Yiki), founder and organizer of the event, said that this edition was attended by plastic artists, young creators and more than a dozen developers of this art in the country.
He said one of the distinctive features of the gathering is seen in the stimulation of the tattooed crutch, a technique that has disappeared today. It goes back to the origins of this artistic manifestation, consisting of a stick and two needles to achieve the desired drawing by hand.
The defense of the aesthetic and artistic values of the tattooed as a mode of expression within the plastic arts. This was the main objective of the discussions after the presentation in theoretical workshops of presentations on the ritualistic tattoo and the policies of the written body, by Vladimir Hechavarría and Danilo Guerrero, respectively.
Yudith Figueredo Domínguez, a young assistant, who offered the possibility of being tattooed at no cost, saod that the approach to this practice means assuming in the body a manifestation of the art that one will carry for life.
At the same time, Enrique Hernández Castellón, an artist from the province of Matanzas, said he was pleased by the reception of the AHS in the territory. He commented on the rise of this culture in Cuba which is experiencing an advance along with technological development, because every day better equipment, inks, and all kinds of materials become available.
During the closing day, a children’s workshop for screen printing and recycled paper was developed’ This theoretical event on muleta tattooing, in addition to the jam session by of the troubadours Raulito Prieto, Manuel Leandro and Leiner Verdecia.
The tattoo in the Cuban society of the 21st century still has as many detractors as followers and, although its origins go back to the emergence of the main civilizations, it is still subject to taboos and prejudices.
November 13, 2017
Translated and edited by Walter Lippmann for CubaNews.
For a long time, Colin Kaepernick became a true symbol in the United States against the racial violence that the policemen inflict on black people, and that has led to murders.
The American football player’s stand cost him his career in the NFL, since he remains without a team and he himself denounces the fact that he is being made the victim of a “conspiracy” by the competition.
In spite of this, the icon does not abandon his struggle, and has obtained the recognition of being named “man of the year” by GQ magazine.
Attacked directly by Donald Trump, and seconded by almost all of his NFL teammates who popularized the gesture of kneeling while the US national anthem was played, Kaepernick is already almost a martyr of the racial struggle.
The ex-Quarterback of the San Francisco 49ers will express with words his fight in a book. And presumably that, his word, is the most valuable and complicated thing to obtain from him.
Good proof is that he has even preferred not to give an interview to GQ for that report in which he is named “man of the year”, although at least he has had the deference of posing in various photos through the streets of Harlem, in New York.
The magazine announced that Kaepernick will be featured on its cover and will be honored as “man of the year”, highlighting his social and racial struggle and his already legendary gesture of August 27, 2016, when he refused to listen standing to the United States national anthem.
Hundreds of women and men came out on short notice today to protest sexual abuse and rape. Called by local organizations and a group of female farmworkers, an estimated 500 people assembled in the heart of the Hollywood tourist district. They marched to the headquarters of CNN where a militant rally was held, then marched back to the starting point.
The crowd was lively, well-organized and very spirited. Local feminist and activist groups, as well as a leadership group of female farmworkers who drove 100 miles from Ventura county, made forceful statements, including speaking from personal experience. Speakers included figures in the Hollywood entertainment industry as well as local activists. The farmworkers carried signs in Spanish, and their leader spoke, in Spanish, to the assembled protesters. The event was very diverse ethnically.
One particularly striking aspect was that most of the signs were hand-made.
Police were present and well-mannered. Lots of media people were the and reports went out in the LA TIMES, LA OPINION (Los Angeles’ main Spanish-language daily) very quickly. I’ve been going to demonstrations since 1961, and except for that first march, this was the first time I have EVER been to a protest where I did not know one single individual.
Here are a series of photos I took at the demonstration.
By Francisco Castro, November 12, 2017.
Translated and edited by Walter Lippmann for CubaNews
Whistles and compliments – sometimes risque – are constant and common. So are harassment and even sexual attacks in exchange for work or favors, and complaints, due to fear, ignorance or immigration status, are nonexistent.
This is how Ramona Félix, coordinator of the program on harassment and sexual assault and human trafficking for the Líderes Campesina organization, describes what happens in the countryside to rural women.
“People are afraid to report it, they are afraid of being fired, many are single mothers,” about what agricultural workers live on. “There have been cases where there is harassment and run and supervisors spread the word ‘she is problematic’. The woman is left without any money. For fear, for the legal status, for what they will say, they remain silent. “
That’s why this Sunday, almost two dozen of them traveled from Ventura County to be present and participate in the #MeToo March against sexual harassment that took place in Hollywood.
Survivors of harassment and sexual assault and abuse walked from the meeting point – the corner of Hollywood Boulevard and Highland Avenue – to the offices of a television station [CNN] where several people spoke out against this social scourge, before going back to the point initial.
The scandal over allegations of sexual harassment against powerful men in the film industry has opened the door for women in all kinds of industries to raise their voices and tell their cases.
“For every Harvey Weinstein (the famous Hollywood producer), there are hundreds more men in the neighborhood who are doing the same,” said Tarana Burke, founder of the #MeToo movement. “The conversation around Hollywood will spread to include other industries if we force it to happen.”
“This goes beyond Hollywood,” said Brenda Gutierrez, one of the organizers of the march. “I think it’s time that we no longer keep silent, that we are not ashamed and that we end up with the stigma and I think that is the great message of this march.”
“If a person can go out and get help, that will make me happy,” Gutiérrez added.
With chants of “Stop the violence, stop the rapes”, “Stand up for the women of the world” and “Violence must disappear”, hundreds of women – and men – joined the march yesterday in solidarity with their wives, mothers and sisters, as well as, some actresses.
“If people start talking about this, I think it will make a difference,” said Elizabeth Perkins, actress of the movie “Big” with Tom Hanks.
Many women said that men’s help in stopping this is essential.
“They are the ones who can solve this,” said Gretchen, who did not want to give her last name. “There are many wonderful men out there, but they have to go and talk to those who cause problems.”
TIME MAGAZINE story, including support statement by female farmworkers:
They don’t feel sorry, should they?
Roberto Alfonso Lara Licenciado en Periodismo.
Graduado en la Universidad Central “Marta Abreu”
de Las Villas en 2013.
A CubaNews translation. Edited by Walter Lippmann.
Two women walk together, holding hands, appropriating the same space and right that society allows heterosexual couples. Two women love each other and do not hesitate to share their affection, under the warm sun of these days. Two women kiss in public –an innocent touch of lips– and around them the looks of contempt, the feeling of disgust, the scandalized common shame.
-I don’t know, wow, I would be sorry, warns another woman.
Prejudices persist and reality is responsible for challenging them. Every day it is more frequent to see the amorous self-assurance of two women (or men) in the street. They try to lead their lives in this way, naturally, like the rest of the people, without feeling discrimination and offense towards one or another relationship. But the more habitual the scene is, the more settled the phobia of the different. There are still many people who conceive and accept, in public, only one type of affection.
To love and show it openly through any caress, goes through a strongly patriarchal culture, which still recognizes as legitimate and obligatory the value system linked to heterosexuality. Censure the candid kiss between two females with the same arrogance that should admonish the kissing, almost pornographic, of two young people of the same or opposite sex in a park or corner of the city. What’s reprehensible, given the case, does not lie in the sexual condition of those who kiss, but in the impudent manner in which something so intimate is exhibited. However, the morality shared today is sometimes more condescending in the face of obscenity and less in the face of what differs from their beliefs.
The prevailing macho and homophobic tradition repudiates the expressions of affection between two lesbians, for many, the most hidden and marginalized population within homosexuality. The reactions and terms used to define them (“disgusting”, “filthy”, “repulsive”) are truly offensive and show how little literacy continues Cuban society on issues related to sexual and civic education.
For the psychologist and activist Norma Guillard, a decades-long defender of the rights of lesbian women in Cuba, the situations of discrimination and rejection that involve them represent another example of gender-based violence in the country. This makes it difficult to face “lesbophobia” in the family and social spheres; more when there is not even a systematic observation about their conflicts, nor is sexuality promoted from an early age that allows people to face, with the necessary self-esteem, the condition in which they wish to live and be happy.
However, the matter goes beyond the institutional and legal efforts in favor of the rights of Lesbians, Gays, Bisexuals, Transsexuals and Intersex people (LGBTI), even in the nations where they have been recognized. Very recently, last October in Buenos Aires, Argentina –considered one of the most “gayfriendly” capitals in Latin America– Mariana Gómez, married to Rocío Girat, was arrested for kissing in public with her wife, in a clear attack on her sexual orientation The fact gave rise to protests against the obvious episode of lesbophobia.
If kissing is, as we know, a liberating and exciting act, its enjoyment in public, in a measured and tender way, should be assumed without sexist and discriminatory questions. Nobody is given the power to decide who should do it or not, but the possibility of being more tolerant, sensitive and respectful of the difference.
Roberto Alfonso Lara Licenciado en Periodismo.
Graduado en la Universidad Central “Marta Abreu”
de Las Villas en 2013.