A CubaNews translation.
Edited by Walter Lippmann.
“The closure of RT by authorities in other countries is due to fear of competition,” Russian President Vladimir Putin said on Thursday, October 18, during the international discussion forum Valdái, which hosts Sochi.
Russia Today (RT) has been described since its inception, both in the United States and in some nations, as a “hostile foreign power” or “foreign agent on home soil. In fact, on July 17, it was announced that “the Australian Federal Police has opened a preliminary investigation into the chain as a suspected foreign agent.
The real sense of bitterness – or really fear or hatred – towards the Russian platform is that it is one of the few alternative voices charged with providing angles of analysis different from those provided by the mainstream American media. Organs that, no matter how “anti-Trump” they may seem, are part of the U.S.-owned corporate system.
RT represents one of the few media conglomerates on the planet (two others, bridging differences, would be Telesur in Caracas and Hispan TV in Tehran) that, without bowing to the dictates of the American empire, try to offer an objective global perspective of the local, regional and global political reality.
A balanced vision that weighs multipolar power and the sovereignty of peoples; a vision that deconstructs each deception perpetrated by the lie-repeating apparatus at the service of Washington, that gives voice to otherness and positions itself as an independent entity, cannot be well received by the Yankee powers and their European allies or clones.
The witch-hunt against the Russian station is yet another of the fronts of open war against Moscow, in the political, diplomatic and sports spheres…
Not even at the height of the Iron Curtain did American cinema and television produce as much volume of audiovisual material against Russia as they do today.
The order of the White House was and is to export that hatred. Not surprisingly, in 2016, a European Parliament report compared the “danger” of RussiaToday “with that of the Islamic State”.
The Western aversion to the progressive resurgence of the great Eurasian nation in its economic, military, scientific and communicational capacity is expressed in dissimilar ways. Attacking its website is not the least significant.
The increasing number of people who tune into the RT signal in the world puts the Western think tanks and their corporate media apparatus into a warning position. Thus, the rage against the Russian network is not only expressed in the organs of the United States, but also in a good part of the Europeans.
El País, the most read Spanish newspaper in the Spanish-speaking universe, has the challenge of the web as one of its obligatory daily tasks, along with the daily attack on Venezuela.
Granma today commemorates the 59th anniversary of the National Revolutionary Militias with the story of Idolka Sanchez, the militia face Korda immortalized with his lens in 1962.
Author: Alejandra García Elizalde | email@example.com
October 25, 2018 21:10:37
A CubaNews translation.
Edited by Walter Lippmann.
In the crowd of that May 1, 1962, a young photographer focused on the still-adolescent face of Idolka Sánchez as she marched in front of the José Martí Memorial in Havana.
She, one of the nearly 2,000 militiawomen of the Lidia Doce women’s battalion, saw him approach, camera in hand. He didn’t seem to care about anything else. It was as if he had seen her from afar and didn’t want to let her go without obsessively capturing her image. He chose her.
“The man whose name, Korda, I had barely heard, was the same man who, in March 1960, had immortalized Che’s face with his mane in the wind, during the burial of the victims of the La Coubre terrorist attack. He ordered her to “put the machine gun up”. His order was followed by several clicks of his camera and, in a matter of seconds, she disappeared.
When she had forgotten the incident, he returned that same morning. Korda wanted to repeat two new shots. She did not want to capture just one face or one image. He was looking for a symbol, and he found it. The next day the photo went from one end of the island to the other on the cover of the Revolución newspaper.
“I felt an emotion that I cannot describe. It was not vanity, but eternal gratitude. I never thought about the transcendence of that image,” Idolka Sánchez Moreno told Granma.
Fifty-six years after that encounter with Korda, the image known as “La Miliciana” endures. The sun on her face, the severe look focused on the horizon, her embrace to the rifle that points to the sky, the beret tilted …
Today, Idolka preserves the late beauty of the 22-year-old girl who was in those early and intense times of Revolution. “I will never forget that it was a beautiful, clear morning, similar to today. I didn’t expect that it would attract the attention of any photographer, being surrounded by so many women. My main interest that day was the possibility of parading in front of the Commander in Chief,” she says.
It would take years for Idolka and Korda to meet again, after “La Miliciana” became an iconic image and adorned banners, postcards, photographic exhibitions, and appeared on the walls of workplaces and embassies. Few people know that she was the young woman in the photo.
“I remember one day, walking with my sister to work, a woman saw “La Miliciana” hanging in the window of an establishment. She, a few steps away, said, without knowing that we were listening: “Look at that, surely she left the country and yet they have her everywhere. My sister confronted her, but finally we decided to continue on our way.
She joined the Militias as soon as they were created: “I came from a family that supported every step of the revolutionaries through the Sierra, and my destiny could not be any other. I studied Law at the University, I have dedicated all my life to my country and today my two children are photographers”, remembers Idolka.
Almost two decades after that May Day, in 1981, he saw Korda again. Muchacha magazine arranged a reunion between him and “La Miliciana”.
“It was very emotional, but I never expected any recognition. That was his work. I was only an occasional model, discovered in the middle of the parade, one of so many young people who proudly wore the most beautiful of all the costumes, that of the militia.
From that meeting in front of Revolution Square on May 1, 1962, Korda once recalled that “I had been looking for hours with my camera in the crowd. The Lidia Doce women’s battalion attracted me and I captured many gestures. But in revealing only one was the indisputable one: the militia woman with the rifle held high and such a decision in her eyes that I said to myself: this is the Cuban warrior, the woman in the defense of the homeland.
Alberto Díaz Gutiérrez, better known as Alberto Korda (September 14, 1928-May 25, 2001), is one of the great photographers of all time, with a body of work that forms part of the symbolic imaginary of the Cuban Revolution.
“La Miliciana”, the instant that captured the purity and strength of women at an exceptional moment in national history, was one of his most beloved portraits. “It is a photo that will survive us,” said Korda. Future generations will admire our eternally young militia. And so it was.